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by Harmony In Ultraviolet

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about

this album is (kinda) a return to form, but not really leaving behind anything new. while listening to this album back to back... i was reminded with my older works on "c'est tellement mignonne", but i guess not as depressing as "hermeneutics and movements". however i still bring all my newfound sound design skills and apply them here, which was lacking in "ctm".

despite this album being largely built with samples, i started to play with keyboards as well now to make my own melodies. nothing to crazy with this album, so i just gonna dub this album as my "practice album". oh, also i started singing as well... either that or including my vocals as instrumental melodies.

i hope you enjoy it as much as i enjoy making these songs.

sometimes at some point you make find yourself lacking in creative output. i feel that way too. but i guess it's for your good and not to overburden your career as a music producer.

i always told myself that i want to take a break from making music at some point and let my creative process on hibernate mode, but i keep finding new ideas in the unexpected times.

credits

released November 11, 2023

Recorded and produced around April to October 2023 in different places:
- INTEC Recording Studio, Section 18, Shah Alam
- Dewan Seri Budiman, UiTM Shah Alam
- Personal residency (basement) in Kuala Kangsar

Produced by Harmony In Ultraviolet.

- Piano, bass, and keyboard on "Windswept Fullmoon Decastich", "Chamberlain Effect", "Fantassin March", and "Let It Mend Your Trembling Heart (Mvt. I: Clocks)" played by Harmony In Ultraviolet.
- Vocals on "Laventina Hermine" performed by Harmony In Ultraviolet.
- Female backing vocals on "Laventina Hermine" was produced via Tendou Arisu's RVC.
- Drums on "Fantassin March" played by my senior (undisclosed name).

Mixed and mastered by Harmony In Ultraviolet.
Artwork "Remembrance Day Poppy" by Nozomi.

license

all rights reserved

tags

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